For the racing enthusiast who really leans into minimalism, Sandgrain Studio offers a line of frame-worthy posters celebrating some the greatest tracks to ever see a Formula 1 race. But despite the Helvetica typeface, the posters themselves embrace everything about F1 from the 1950s on. Pair a Sandgrain poster with Massimo Vignelli's 1972 New York City subway map, and you have a one-two (and perhaps even three-four-five-six) punch of modern design.